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Interview with DJ Di'jital

Di'jital, aka Lamont Norwood is the prototype for a DJ. Starting out, he was heavily influenced by Hip-Hop, Soul, Funk - not overtly surprising if you consider he is a native of Detroit, and as many of his contemporary's sounds and starting point were much the same. He began his ascent of the DJ ranks over a decade ago, rocking the clubs with his broad musical tastes, all thrown into his contemporary mixing melting pot. Yet, right from the beginning, Di'jital's declared mission was straight forward; "to keep the crowd moving all night long." His furious mixes are dizzying, and impressive. He has no problems weaving, blending and matching sets of rudimentary beats to effectively create his own live remixes, and mind boggling layers of sound from the tracks that are synonymous with his sound.

Di'jital has tuned in on the skills it takes to drive the dance floor, and now demonstrates himself to be somewhat of a master mixing craftsman, effortlessly taking command of the decks he never fails to deliver his devastating musical performances. As a result, his fan base is constantly growing, as the underground dance scene slowly but surely realise that he is a rare and unique talent.

This international recognition was the last thing on his mind when he first began his quest- instead, he simply drove himself on through passion and love of the music and the scene around him. A man who wanted to contribute to this scene could perhaps never have anticipated the success, and impacthe would have.

As many of the greats have done before and after, he began his DJ life on a double cassette deck in his parents, house. His combination of unrelenting dedication and pure, natural ability took him far beyond his first set of turntables.

Shortly after this phase of his DJ life, Di'jital became an integral part of Aux 88. "It's was like a dream came true", he says. His debut release on Direct Beat, "Prototype", began his journey into the world of production, and somewhat "further" than the dancefloor, paving the way for the sound that he calls "sinister techno bass." And here we are...take a seat and let's take care of some business.

Wotcha Di'jital how's tricks?
Pretty good.

LD is at the bar, what you drinking?
Cranberry & vodka.

LD is skinning up, cone or 5 skins?
Cone.

How did you hook up with the Auxmen? Was it the remixes for Direct  Beat?
I actually met Keith Tucker in a recording studio, he over heard some of my tracks and I asked him to listen to my demo, he said they were cool and would let the 430 West/Direct Beat label hear them. That led to me signing with Direct Beat.

What are the Aux guys like to work with?
Cool and laid back, we have fun.

Who tells the best jokes, K-1 or Blak Tony?
Blak Tony definitely.

Tell us something about them we don't know?
They are very persisitent.

To the point of driving you nuts?
No, just taking care of business.

What's happening in the D that we should know about?
A lot of people are working hard at their careers and are looking to the future of dance music.

Anyone standing out? And what do you think the future of dance music is?
We all stand out in our own special ways, the future of dance music is a collective input from all producers and DJs worldwide.

No names then, I've spoken to loads of people in the D and none of you will name names, what gives?
It's basically just that no one wants to be "misquoted" about someone so if you never mention any names you are "safe"

You started like most of us, messing around with tapes, but what was  The biggest leap forward for you, what flicked the switch of no return? 
I think it was when I got my first sampler, I couldn't elieve I could record any sound and do what I wanted to do with it.

I did 3 albums on a Roland W30 and then bought a massive sampler and completely lost focus because I had loads of sample time, limits make projects interesting in my view, would you agree?  
Yes  I would agree that  the limits make you more appreciative of sampling power.

How do you approach writing a track?  
I just try and visualise a certain sound.

Who's been the biggest influence on you? 
I would have to say Juan Atkins and Kraftwerk.

What's your favourite piece of kit?
I like to play with Korg Gear.

Before you set off for a gig, do you know what you are going to play or do you have a plan B and C in the box just in case?
Not really, I am more on the fly most of the time.

Mary J and Beyonce walk past your studio, they both offer to sing on your tune, who do you go for and why?
Probably  Beyonce, mainly because she seems to be hotter right now.

If you could work with anyone, who would you love to get a studio tan with?
Juan Atkins or Kraftwerk or Eminem. 

You've always had broad taste, are you still pumping out a good mix  of tunes in your sets?
Yeh I play electro, oldschool, techno, booty hip hop etc.

Where the best place you've played?
I would have to say Mayday in '96.

Are playing at DEMF this year?
I am not sure, maybe.

Why are the Police so against us getting together? It's weird and frightening when compared to the UK - One false move and you've got a cap in you ass, will they ever chill the fuck out?
Lets hope so, for everyone's sake.

What's the maddest request you've ever had?
To play Madonna, Like a virgin.

Did you have it ?<laughing>
At home <lol>

How's the Bass? You still feeling it?
Yes actually I am working on a new frequency its kind of a secret, but it could revolutionize the way you hear bass and what your ears think low end is.

You going for the body feeling across all the frequencies or the deep harmonics?
A little bit of both.

Great care needs to be taken with deep bass tho it wears the listener out, how are you going to get round that?
Well I have been taught that if it can be read in the spectrum analyzer and that as long as it's not distorted it could work.

Leftfield once built a set of special speakers for bass, they knocked you for six, I couldn't walk - you got similar plans?
Yes, I hope to do some marketing.

You often talk about the sinister sound, how do you define it?
I think sinister is dark strings and basslines, weird, altered sounds.

No dark sinister backwards messages then?
Nah, I have other sweeter plans.

How do you rate our chances of getting an interview with Mad Mike?
I can't answer that.

What the biggest difference from playing in the D to playing in Europe?
Well the main difference is recognizing "where" you are and what the crowd is feeling. You should know by the second or third record if what you "think" they like is good. Then you just have to adjust to them...

But that's the same with any crowd, what's the biggest cultural difference that you notice?
Well that would be how we dance and the sexual inclusion of certain body parts. It seems like in the states a lot of bumpin and grindin, and in Europe it seems like everyone just wants to move their body to
the beat.

Why do you think us European's have taken more to you guys than your fellow countrymen?
I think it's because the guy sitting next to you can see you everyday and you are no big deal to him. But the distance and the fact that their may just be a deeper compassion for it, probably creates the "star" effect.

The North of England has always had an ear for what's happening in Detroit - even way back in the soul days, have you checked out the stuff from Sheffield, Manchester etc?
Yeah its good.

Are you working on anything at the moment?
I do recording sessions and help repair electronics.

Techno Bass 2 was brilliant, any more mix CD's planned?
Yes, I am working on new one at the moment.

You got a message for us geeks?
Yeh, stay cool and keep your asses dancin' to our shit!!!

All time top ten tunes
1) Numbers/ Kraftwerk
2) Clear/ Cybotron
3) Yellow Magic/ Orchestra
4) Work that muthafucka/Steve POindexter
5) Bubble Metropulis/Drexcia
6) Drop that BAss/ Magic Mike
7) Alleys of your mind/ Cybotron
8) HailMary/ Makeveli
9) Yo get Funky/ Tyree Cooper
10) Planet Rock/ Afrika Bambata

Listening to at the moment.
Auxmen 2
Dijital's Revenge

When are we going to see some new releases from you?
Soon very soon, I will drop a track on the 3rd Auxmen and my new 12 inch will be done soon.

Thanks Di'ji, there will be a Canberry and Vodka on the bar for you at DEMF 2004.

Book DJ Di'jital
http://www.haywire.co.uk
http://www.electronicpm.co.uk/


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